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Title	:	100 Dresses: The Costume Institute / The Metropolitan Museum of Art
Author	:	Harold Koda
Book Format	:	Paperback
Book Edition	:	First Edition
Pages	:	Pages: 232 pages
Published	:	November 1st 2010 by Yale University Press (first published October 26th 2010)
Categories	:	Couture. Fashion. Nonfiction. Art. History

100 Dresses: The Costume Institute / The Metropolitan Museum of Art

Harold Koda

Paperback | Pages: 232 pages

Rating: 4.23 | 567 Users | 38 Reviews

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An irresistible look into more than 300 years of fashion through an exquisite collection of designer dresses

What woman can resist imagining herself in a beautiful designer dress? Here, for the first time ever, are 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it.

Featuring designs by Paul Poiret, Coco Chanel, Madame Grès, Yves Saint Laurent, Gianni Versace, Vivienne Westwood, Alexander McQueen, and many others, this one-of-a-kind collection presents a stunning variety of garments. Ranging from the buttoned-up gowns of the late 17th century to the cutting-edge designs of the early 21st, the dresses reflect the sensibilities and excesses of each era while providing a vivid picture of how styles have changed—sometimes radically—over the years. A late 1600s wool dress with a surprising splash of silver thread; a large-bustled red satin dress from the 1800s; a short, shimmery 1920s dancing dress; a glamorous 1950s cocktail dress; and a 1960s minidress—each tells a story about its period and serves as a testament to the enduring ingenuity of the fashion designer’s art.

Images of the dresses are accompanied by informative text and enhanced by close-up details as well as runway photos, fashion plates, works of art, and portraits of designers. A glossary of related terms is also included.

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Rating Appertaining To Books 100 Dresses: The Costume Institute / The Metropolitan Museum of Art

Ratings: 4.23 From 567 Users | 38 Reviews

Write-Up Appertaining To Books 100 Dresses: The Costume Institute / The Metropolitan Museum of Art

Interesting, quick read. The book features 100 dresses, each in a 2 page spread. One page is the photo of the dress. The other page contains a short description/background and sometimes a related photo or piece of art.The textiles span from the 1700s to the present. The designers appear to be (at a quick glance) English, British, French, Italian, and Japanese.Most of the dresses are evening/formal wear. There are some more casual dresses. It's a look at beautiful fabrics, incredible detailing,

A beautiful collection of dresses displayed at their best, and short (but informative) texts on them. (Perhaps it would have been nice to have a somewhat wider selection of 20th century designers than was presented in the book - Christian Dior was important, of course, but 12 of the dresses of these 100 were made by him or House of Dior in this collection. It could have been nice to give some space to perhaps names slightly less well known just to give a bit more width to the collection here

Amazing photographs, lovely gowns, mostly modern, but some of the pre-1920 dresses are gorgeous. The colours are beautiful, each gown very unique -- and the green gown from the 1700's made my jaw drop from the sheer intensity of it. This is one that clothing junkies will love, all presented by the current curator of the Costume Institute of the Met, Harold Koda.

Gorgeous dresses. Just stunning.

Good pictures on high quality paper, but... there was usually only one (1!!) picture of the dress! No front, back *and* side view! In a few instances there was a nice closeup of great embroidery.The text accompanying each dress was usually a little bit about the designer and a description of the unusual features of the dress.This is a nice book to peruse, but not particularly useful for costumers, IMO.I LOVE libraries because they allow me to check out books I might buy.



There is subliminal magic built into the fabric of a luxurious dress. It has a way of oozing romance, elegance, and the possibility of something extraordinary occurring on an otherwise simple evening. A dress can also speak its own language and, as 100 Dresses shows, the tongues are endless. A white lace gown, like the 1901 dress worn by Manhattan aristocrat Winifred Sprague Walker Prosser, brings to mind a traditional white wedding. In Winifreds time however, the high-necked, mutton sleeved