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Adventures in the Screen Trade

William Goldman

Paperback | Pages: 608 pages

Rating: 4.18 | 5122 Users | 323 Reviews

List Books Supposing Adventures in the Screen Trade

Original Title:	Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting
ISBN:	0446391174 (ISBN13: 9780446391177)
Edition Language:	English

Rendition As Books Adventures in the Screen Trade

No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.

Mention Of Books Adventures in the Screen Trade

Title	:	Adventures in the Screen Trade
Author	:	William Goldman
Book Format	:	Paperback
Book Edition	:	First Edition
Pages	:	Pages: 608 pages
Published	:	March 10th 1989 by Grand Central Publishing (first published 1983)
Categories	:	Nonfiction. Culture. Film. Language. Writing. Biography. Media Tie In. Autobiography. Memoir

Rating Of Books Adventures in the Screen Trade

Ratings: 4.18 From 5122 Users | 323 Reviews

Rate Of Books Adventures in the Screen Trade

I really loved this book. Although it was written in the early 80s, so much of what he says about the film industry still seems to hold true.The first section explains how a project is put together, including some horror stories of projects that took a lot of everyone's time, effort and money and still didn't end up getting made.The middle, main section deals with some of his screenplays - massive hits such as 'Butch Cassidy and the Sundance Kid' and 'A Bridge Too Far' - and explains how each

Nobody Knows Anything.Goldman could almost have saved us the 400-pages of what is still one of the most insightful books about the movie-industry, and just printed his Law on a single page at the front.But then we'd have missed a glorious roller-coaster ride through Tinseltown stuffed to the gills with anecdotes of such toe-curling detail that you believe every word. And even now, 25 years later, it still all rings true. Read it, and you too might understand how lucky we are to get the

Very much enjoyed William Goldman's honest take on Hollywood and screenwriting. It was interesting to read ADVENTURES IN THE SCREEN TRADE 30 years after it was written, as the entertainment business has changed so dramatically since 1982. Goldman's prose is fun, educational and entertaining. There is no doubt that he is a great writer...as evident not only in the book he has written, yet also in the BUTCH CASSIDY AND THE SUNDANCE KID screenplay that comes with the book, as well as an excellent

Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, William GoldmanAdventures in the Screen Trade is a book about Hollywood written in 1983 by American novelist and screenwriter William Goldman. The title is a parody of Dylan Thomas's Adventures in the Skin Trade.Abstracts: No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together,

This is perhaps the best book about screenwriting and the film business ever written.Oscar winner William Goldman, who wrote such classic films as HARPER, BUTCH CASSIDY AND THE SUNDANCE KID, MARATHON MAN and ALL THE PRESIDENT'S MEN shares his unique, often difficult, experiences working with top directors, producers and stars like Paul Newman, Robert Redford, Dustin Hoffman and Laurence Olivier.If survival in the Hollywood film industry is possible, then there is no better "survival guide" than

One of the best books about filmmaking I've read. The last third in particular wowed me. In it, Goldman presents an old short story of his, writes a screenplay of it, deconstructs the difficulties of writing that screenplay, shares it with some technical masters (including director George Roy Hill and cinematographer Gordon Willis), and gets their thoughts on how they would interpret it. It's an incredible education.

If you're a first time screenwriter or you're looking for tips on how to format a screenplay: don't read this. No one will buy a script that has "CUT TO" instead of scene headings. William Goldman explains it himself that when he was hired to write his first screenplay he had no clue what he was doing, then kinda went out and did his own thing, which people enjoyed. Well, the dude was a novelist at the time and was hired to write a script, so he wasn't really in need of getting his foot in the